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Review: Gordon Giltrap at the Lichfield Guildhall

With a career that goes back to the late sixties across a range of genres, Gordon Giltrap was in his element when he returned to play the Lichfield Guildhall.

Gordon Giltrap
Gordon Giltrap

The stage was littered with acoustic, classical and electric guitars, as well as a number of pedals.

The first half consisted of solo acoustic pieces, such as a fine reading of George Harrison’s Here Comes the Sun, the blues and jazz influenced Catwalk Blues and the melancholic air of A Christmas Carol, before a set closing composition that ranged from gentle, processed electric guitar chords, and added in layer after layer of harmony lines and angry lead guitar to the mix.

It was a tour-de-force performance in both composition and manual dexterity, and shows why Gordon Giltrap is so revered by players such as Queen’s Brian May, The Who’s Pete Townshend and Deep Purple’s Richie Blackmore.

For the second half the guitar maestro was joined by the keyboard player Adam Parrish who proved himself to be more than equal to the task.

The thought that had gone into the arrangements for the two musicians showed in such pieces as Maddie Goes West, the soundscape and sonic experimentalism of On Camber Sands, and the gentle ballad Sallie’s Song.

The duo saved Giltrap’s best known piece, Heartsong, which for years was the theme tune to the BBC’s Holiday programme and their treatment found nuances within the piece.

A well earned encore of Roots, which took in elements of folk and blended it to progressive rock, served as fine reminder of the quality of Gordon Giltrap’s skills as a composer.

A volunteer wrote this. Say thanks with a coffee.

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