The Garrick Rep’s latest production is perfect for the cosy intimacy of the Garrick’s Studio space. By turns funny and fondly nostalgic, September in the Rain is made
It’s always an exciting event when the Garrick Rep announces a new departure. They’ve had a notable run of previous successes – Shirley Valentine, Who’s Afraid of Virginia
This ambitious production of an Alan Ayckbourn classic is a milestone in the Player’s 70 year history.
The successful mounting of such a complex work marshalling a company from
It had to happen. After reinventing the great trio of Tchaikovsky Ballets and sundry non-balletic classics including Wilde’s Dorian Gray and Edward Scissorhands, Matthew Bourne has now turned
Birmingham Royal Ballet director David Bintley’s a clever old thing – and what he doesn’t know about programming isn’t worth knowing.
Seizing on the opportunity to showcase BRB’
The Crescent Studio in Birmingham has long been one of my favourite theatre spaces and its intimacy is perfect for this ambitious pair of comedies where theatrical conventions get flouted
I’ve said it before and I’ll say it again.
So-called amateur theatre is going through a Golden Age in Lichfield, in the process filling a gap commercial
I have a confession to make – Ian McDiarmid changed my life.
Seeing him as Edward II in 1986 at Manchester’s Royal Exchange made me realise what a truly great
There are few more eagerly awaited events in the dance world than a new ballet. The old favourites, like Swan Lake and The Nutcracker come round regularly and with good
Birmingham Royal Ballet’s triple bills always have an added excitement because they give us the chance to see works from the Royal Ballet’s rich heritage, some familiar, others
From its pre-publicity I could have been forgiven for expecting Yazmina Reza’s God Of Carnage would top Herzog’s Aquirre Wrath of God in which Spanish adventurers exterminate
