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Review: Shakespeare in the Park's Macbeth

It came with a warning that it would be gritty and graphic – and this year’s performance of Macbeth from Shakespeare In The Park certainly delivered on that promise.

Shakespeare in the Park's Macbeth
SITP June 2026. Chris Stanley as Banquo surrounded by witches. Credit Genius Photography
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IT came with a warning that it would be gritty and graphic – and this year’s performance of Macbeth from Shakespeare In The Park (SITP), with its contemporary gang-warfare twist running through its bloody heart, certainly delivered on that promise.

Launching with broadcast headlines of gangs clashing in Scotland echoing across the Italian glade in the grounds of Maple Hayes, this iteration of the tragedy, incorporating substance abuse references and strobe lighting, was hard-hitting.

It may have been penned back in 1606, but the lesson at its core is still applicable today as it charts the psychological fallout that can follow a brutal pursuit of power.

As usual, this was a professional performance, something always guaranteed with SITP, with a talented cast, that included members as young as 10 – James Baker as the young Macduff – which was rounded off with a firework display.

It was only the second time SITP has performed Macbeth in its long history, but some of the chilling highlights for me included Imogen Bloxham’s portrayal of a dogged and tormented Lady Macbeth, alongside newcomer Adam Merrall’s tortured portrayal of Macduff after learning his wife and son have been slain, and his fierce bid for revenge as he squares up to Macbeth, played by SITP stalwart Robin Lewitt.

As always, Eliza Del Cisne’s projection and acting skills must also be praised in the role of Malcolm, the King’s eldest son.

Directed by Patrick Jervis, the play – which comes with a warning that a viewing age of 14-plus is recommended due to references to substance abuse and graphic scenes – runs until tomorrow (20th June).

Visit www.sitp.org.uk for more details. Tickets can be bought from on the on-site box office prior to the 7.45pm evening performance and 2pm matinee. All proceeds go to charity.

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